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I took this picture of Jimmy back in March at our Next Step workshop. I’ve been holding on to it just so that I could get the right words to say.

I was only able to spend a few moments with Jimmy, enough to find out that he is a widower. He was married for 56 years before his wife passed away, about 5 years ago. He said that now he comes to downtown Savannah on Monday, Wednesday, and Friday and sits in front of this cafe all day. He does it for a few reasons:

1) It helps him to not miss his wife so much.
2) He loves to meet new people and to talk with them.
3) He loves to feed the dogs.

Any time that you see Jimmy out front, he’s smoking his cigar, or has it nearby. He’ll also have a a couple of Milk Bone dog biscuits sitting on the table for those his 4-legged friends who happen by with their 2-legged friends.

Jimmy’s a really nice guy and will sit and talk to anyone who has a moment to spare. It was a pleasure to meet him. I’ll be sure to look for him each time that I return! So, if you are ever in Savannah, near Monterey Square, on BullStreet, be sure to look for him!

 

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I was reading Art & Fear, by David Bayles and Ted Orland. If you haven’t read it, you should pick up a copy. It’s worth reading, to be sure and the best part is, it’s only about $10.50! I wrote a post about it last July.

There are so many topics that could come from this book, but I’ll write on one that I’ve only seen mentioned once before, to my recollection. The topic is not quitting:

OPERATING MANUAL FOR NOT QUITTING
A. Make friends with others who make art, and share your in-progress work with each other frequently.
B. Learn to think of [A], rather than the Museum of Modern Art, as the destination of your work. (Look at it this way: If all goes well, MOMA will eventually come to you!)

I think that there is very solid advice in this. Fortunately, for me, I have a person who supports my art making at all times. My wife; however, it is nice to hang out, talk, and show work to those who are doing photography as well. There’s just something satisfying about it. I’ve yet to find that person or group of people, locally, with whom I feel like sharing my passion. My friend Richard is one such person. We could talk for hours and hours about photography, go on shoots together, and generally hang out but, alas, he’s in Texas. So we have to get together electronically, which is nice, but not nearly as satisfying as sharing images and stories in person. I’m working on getting Richard to move to North Carolina, but that’s a different topic! :-)

I think that had I had this type of support network, so to speak, that I wouldn’t have taken such a large break from photography after my son, Tony, was born. I only shot sporadically for the ensuing 10 or so years. I took some pictures every year, but had become a snap-shooter … someone who only takes pictures on vacation and at special events. Taking a break is much different than quitting. Quitting means to never start again.

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Now, I try to, whenever possible, to cultivate friendships locally, thought I don’t like camera clubs. They only seen to talk about equipment for the most part. Blogging is a big part of my support. It keeps me shooting. I have an outlet for my creative energies, and I have a lot of fun. Also, a group of us from a previous workshop have already made plans to get together in October to shoot autumn on The Blue Ridge Parkway!

So, do any of you have things that you do to support your art? Any groups that you’ve found comfortable with or really like? Any best friends that go out on photo outings with you?

 

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I really dislike this word. I’ve been told on a number of occasions by friends, relatives, and family that I’m a talented photographer. I don’t believe it for even one minute. Talent has to do with some innate ability to do something better than average. Believe me, photography is not my talent.

I would, however, say that I am well practiced. What you see is the result of 20 years, or so, off and on, of practice, practice, practice, and well, more practice. I shoot 3-5 days per week, even if it means just shooting around the house, or going for a walk with the camera to record what I see. It’s practice for the sake of practice. For the love of the ‘game’.

I remember watching Magic Johnson, Michael Jordon, Larry Bird, et. al. playing. Fantastic players, to be sure. However, none of them especially ‘talented’, but all of them extremely dedicated to practice. They were all first in/last out type of guys. First in the gym, last out of the gym. I remember hearing stories of Larry Bird practicing some 500 shots a day after practice was over, or maybe before practice. Is it any wonder that he was the best shooter in the league? As for Michael Jordon, Andrew Bernstein said it best:

When the teen-age boy, cut from his high school basketball team, practices hours every day before school, he displays his work ethic. When the University of North Carolina hero busts his rear-end at Bobby Knight’s drill-instructor practice sessions in order to win the Olympic gold, he reaffirms this commitment. When the greatest player in the history of basketball continues, at age thirty-five, to out-hustle far younger players—on defense as well as on offense—to lead his aging team to yet another championship, he surpasses the meaning of such concepts as “dedication” and “perseverance”; he sets an example and a standard for which, perhaps, mankind has not yet developed a vocabulary.

Certainly, I don’t compare my work ethic to that of MJ, but I am dedicated to the art/craft. I love to practice. I live, eat, breathe, think, and love photography and do it every single moment that I get to do it and I never seem to tire of it.

It’s the same with photography. I’m sure that most of the masters of photography spent countless hours practicing, trying to bridge the gap between what they saw/envisioned and end product. It’s what I continuously try to do. The word talent, at least for me, seems to discount all of the effort put in by the artist/athlete/writer, etc. instead preferring to attribute the end product to something mythical, magical, and not attainable to all.

In the end, I guess that I would say that ‘talent’ is about overcoming the obstacles. It’s about staying the course and not quitting, even when that inner voice tells you that you don’t have it, so why continue. It’s more about perseverance, dedication, and hard work.

 

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OK, yesterday I took my son, Tony to Lowes Motor Speedway to do his volunteer work. The road leading to the speedway is basically a bunch of campgrounds. I saw more confederate flags, beer bellies, barbecue grills, and short-shorts in one small stretch than I’ve seen in my entire life!

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This first picture is just an example. C’mon, four guys, 3 beer bellies, 3 confederate flags, a grill, a couple of racing flags and sign above the whole thing saying “Asshole’s Garage”. Well, at least they put the American flag on top!

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The confederate flag used to bother me; however, I don’t let it trouble me any more. It’s a symbol of a horrid past, but it is just that, the past; however, among a lot of race fans, it seems to not have been forgotten.

Photography by Tony Lester. He was taking pictures with my D40 as I creeped down the street in heavy traffic. I played the part of director, pointing out the shots that I wanted.

 

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Keeping it simple:

When photography and I first met it was sometime around 1979, perhaps 1980 and I’ve never been the same. At that time I was using a Minolta SRT-101, fully manual camera. Photography had moved on from the range-finder, for the most part, as was going into the SLR phase. A friend of mine, Bob Jennings, who introduced me to photography was shooting with the same type of camera.

In those days, it was oh so simple: Look through the lens, line up the lollypop with the stick, take the picture, and advance the film. That was it. There were no electronics, save for the meter. The shutter speeds were manual and had a range of 1 second to 1/1000 second. The camera would still operate without the battery, but you had to guess at the exposure; I shot only black and white, so white balance was a non issue to me.

Fast forward to the present. Last year I purchased my first professional-level camera, a Nikon D2X. This camera can, seemingly, do everything except wash the car … but I’m working on figuring that out! :-) It has so many bells, whistles, horns, and sirens that one could get easily lost in the maze of menus and never find one’s way out. However, I have mananged boil it down to a few simple controls that I use and thusly have never even visited some of the controls / menus available.

1) 90% of the time, I use aperture priority.
2) 90%+ of the time, I use what the meter says.
3) 10% of the time, I use the exposure compensation.
4) 90% of the time I use daylight white balance. If I’m shooting in morning, or evening, I still use daylight WB because I like the warm colors that I get in the morning or in the evening. I find that using Auto WB, the camera ‘corrects’ the color for me, which I don’t want. (Yeah, I know! If I shot RAW …, but I don’t!)
5) I use auto focus unless I have to use manual focus (too close, not enough contrast,confusing patterns, etc.).
6) I have 2 shooting banks set up, one for the 85% case (normal shooting), and one specifically setup for shoot sports indoors (15%) under artificial light. These banks allow me to change white balance, JPG size, etc. at a single touch of a button.
7) I only use manual mode for night shots.

When I was helping my friend, Richard, who has a Nikon D200, my goal was to boil his usuage down to a very simple set of controls. I taught him the difference between aperture priority and shutter priority, how apertures and shutter speeds work together, and when to use exposure compensation. He asked about manual mode, I told him to contact me in a year, which is probably how long it will take him to get to a place where he might actually need it! :-)

In the end, I guess that I actually use my D2X like all of the other cameras that I’ve had through the years. I take the simplest set of controls that will work and I ignore the rest. The one thing that I really like about my D2X is the high speed shooting mode. I’ve captured a lot of good shots at 5 FPS and some at 8 FPS, as well. Overall, when I think about it, I could have gotten by with a D200, which is nothing more than a slightly stripped down version of the D2X, for less than half the cost, but at the time that I bought the camera, the D200 hadn’t yet been introduced. That said, though, I have no regrets in buying the D2X!

 

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This weekend is Speed Street Weekend in Charlotte. This weekend at The Lowes Motor Speedway, we have the Coca Cola 600. One of the big National Association for Stock Car Auto Racing (NASCAR) events.

Personally, I don’t see the attraction AT ALL! :-) I’m certainly not into auto racing in the least bit. I live about 3 or 4 miles, as the crow flies, from LMS and can hear the racing quite clearly if I am outside and if it is pretty quiet inside. It’s not disturbing, but you can hear it.

Downtown Charlotte is transformed into a bustling, crowded, loud, carnival-like atmosphere. One of my friends remarked that it reminded her of India with the shoulder to shoulder crowds that line the streets.

There are places to buy beer, compete in pit crew races where you get a pneumatic wrench and try to beat pit crew times for changing tires, get all kinds of free sample sized goodies, and even have the chance to sample new ‘flavors’ of chewing tobacco, if you are over 18 and are so inclined!
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Sprinkled throughout the streets are real NASCAR automobiles with signs announcing when drivers will be available for autographs. There are credit card companies and insurance companies hawking you to sign up for their products. There are contests available where you can win up to $500 in free gas (Who couldn’t use that with prices at $3.20/gallon?!). I don’t think that I’d want to drive one of those autos though … something tells me that they are not good on gas mileage!
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There’s even something for the kiddies … and myself. There was a sing-along at one end of the street. The guy only had about 2 or 3 kids there, so I decided to help in the sing-along and add my voice for a bit. It was fun! I like being a big kid!

I walked the streets for about 45 minutes, dodging the performance stages where possible as they are only playing rock & country for the most part and I just wasn’t feeling either of those genres at the time! :-) There’s not a single blues band or jazz band that has signed up. Oh well, you get what you pay for! They are all free! :-)

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About the photos:
The collage is a bunch of street scenes that I saw when walking through on Thursday, the first day of the Speed Street.

The second is of a coworker and friend, Rajesh. I told him that I’d make him a star! Here he is taking his best shot at being serious border patrol looking kind of guy!

The third is the crowd.

The fourth is the US Navy band playing. Hard rock! I had to escape!!!

 

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Hey, it’s Friday, my think-tank is empty, and it’s a long weekend. I just thought that I’d dig back into the digital archives and come up with a picture or two that I’ve never shown before. This was taken on January 15, 2004. It is the bridge that passes over Lake Worth, in White Settlement, TX … somewhere near Fort Worth.

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I was on the way to work one day, saw the fog and decided to stop and get some pictures. I got some really nice moody shots.

© 2011 Paul Lester Photo Suffusion theme by Sayontan Sinha

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