Photographer compatibility

A beautiful ending
This was my first time going on a photography shoot one-on-one with another photographer. All other out of town shoots had been done either with my family or a group of photographers.
With family, you’re pretty much on your own during the morning and evening. The middle of the day is reserved for family things. Fortunately, my wife and I are very compatible. We don’t like to be entertained, so we avoid places that are full of shows, attractions, etc. We prefer more quiet time.
With a group, you are given to the dynamics of the group. In other words, you pretty much go with what the crowd wants to do as far as photography, and you can be on your own during the non photography hours. Also, with a group, there always seems to be a few who lag behind and slow things down, in general. One of the things that I liked about Craig Tanner’s workshops was that he had a particular time to leave, you knew where we were going and, if you didn’t show up on time, you got left and had to come on your own.

The dynamics in a group of two, with a single car, are a little bit different. Naturally, you’ll have to agree on when and where to go. Also, the amount of time spent shooting in one location needs to be agreed upon. I found that Kate and I could go to a location, shoot for about 3 or 4 hours, and then head for breakfast, come back in the evening, do the same, then head for dinner. The outings were very easy. I really don’t know if she’s an early bird, but there was never a complaint about getting up at 5:00 AM. She was always excited and ready to go.
I’ve known some photographers who like to flit about, staying only in one location long enough to get a picture or two, then they are bored and want to move on. Also, I’ve met ‘evening’ photographers, who want nothing to do with rising at 5:00 AM, but can stay out all night shooting and/or partying. These, are not compatible photographers for me. I’m not a late night person and I would feel that I missed something great if I didn’t catch the sunrise. I prefer to be in the room, reviewing pictures, and winding down from the evenings activities by 10:00 PM, so that I can get up at 5:00 AM with relative ease.
I guess that a good outing is made with people who are similar in levels of patience, sleep habits, and desire. I’m looking forward to more such outings.
Was the trip worth it?

Lots and lots of waiting to get there
Value, like beauty and most other things, is relative to the recipient. What I think of as valuable might simply cost too much to you or require too much effort. Expenditures are a fact of life if you are going to travel anywhere and my travel to New Mexico was no cheap trip. Sure, it could have been cheaper if I lived closer and could have driven and stayed with relatives, etc. However, staying with relatives has its own requirements.
Overall, here is what it cost me to go, my travel time, and also some techy stuff to go with it so that you can see what I shot while I was there.
Costs (USD): (1/2 = half of total cost.)
- Plane ticket – American Airlines : $505
- Rental Car (1/2) – $90
- Motel – White Sands Motel: $179 including taxes and fees (4 nights)
- Early access to park 1 hour before opening for 3 days. $75 (1/2)
- Food & misc: $145
- Gasoline: $26
- Total: $1,020
- Cost/day of shooting (3.5 days): $292
- Number of shots: 1,776. Cost/shot: $0.58
Time & Distance
Distance: 1,725 miles. Charlotte, NC -> Alamogordo, NM. No direct flights from Charlotte to El Paso. Had 2+ hour layovers in Dallas, TX each way. Drive time from El Paso, TX to Alamogordo, NM 1.5 hours.
- Travel to: Left home at 9:00 AM EST, arrived at motel at 11:00 PM EST 14 hours (flight delays).
- Travel from: Left hotel at 12:30 PM EST, arrived home at 12:30 AM EST (12 hours).
Equipment:
- Nikon D2x:674 shots
- Nikon D300: 1102 shots
- 11-18 mm : 171 shots
- 50 mm: 1129 shots
- 55-200 mm : 472
Experience
Quite honestly, it was a fantastic experience. While there, Kate met one of the locals who told her about some photography off the beaten path. He told of waterfalls and slot canyons. We didn’t have time to visit them because we found out on the evening of our last full day. However, it just gives me a reason to return. Regarding the food, it was pretty cheap. For the most part, we ate light lunches and had a few meals at a local Mexican restaurant called Margo’s, which was really tasty. On the average, our meals there cost about $20 combined, including tip!

Subtle light
I have grown quite fond of my 50mm lens. As you can see, I shot most (62%) of the pictures with it. Quite frankly, it has now become my favorite lens. Sure, I had to do lots of manual zooming, BKA,(Better Known As) walking, but it was great fun.
For my next trip, I’m thinking Zion/North Rim of Grand Canyon. I’ve heard many good things about the North Rim. The great majority of the pictures that you see are taken from the south side of the canyon. The north rim is closed for most of the year due to snow. It’s open from about April until mid-late September. I’ll just have to see. I have to work around our vacation schedule, Tony’s basketball schedule, and my own work schedule. Then there’s the $$$. These trips ain’t cheap, but they are priceless!
Emotional Detachment

This video has been making the rounds on a few blogs.
I’ve watched it a number of times and while I’m not a big fan of Henry Wessel’s work, I do like some of it. I do love the video. His approach to photography is simple, direct, intuitive, and very impulsive. He states that the present is ‘chaos’ and that is what he seeks to capture.
My favorite part of the video is when he talks about his working technique. In particular the time lag between when he takes a picture and then when he reviews it. He will take the pictures, develop the film, print contact sheets, then store them away. Some 2 or more years later, he will evaluate the picture objectively and decide which ones to print. In this way, he is emotionally detached from the picture. He’s forgotten, perhaps, the situation and the feelings, leaving the picture to stand on its own merits.
This started me to thinking about my own images, given that I have just returned from an image gathering fiesta! I know that, at least for me, my images cannot be reviewed objectively at this time because the emotional aspect of taking the picture is still very fresh. In other words, I’m too emotionally attached. Heck! I still have sand in my pockets from the trip!

It is somewhat easy to determine the obviously good from the obviously bad; however, it is a more difficult task to decide between those with potential and those that are somewhat weak when you still have the emotional side, or attachment. Each photo is a child to which you gave birth and it’s rather difficult to toss the children out. They are born from your creativity.
I can, however, go back start working on my 2003 – 2006 images and culling the herd … if I have the energy to do so. It would be easy/easier to make good choices about which images to delete, or perhaps better, which ones to print or to put into a gallery of images. I can see how this would work, but I can also see how it would be a detriment to someone who is doing stock photography, or some time sensitive work, where time-to-market is essential. I believe that methodology would work well/better for fine art prints.
Will I give my photos a two year wait before evaluation? I doubt it, but it does give me incentive to go back a few years and start culling the herd.
That said, here are a couple from 2004 that I really like.
Article: Nikon D300 Live View (Hand Held)
I have written a short article about my experience with the Nikon D300′s Live View mode. It can be found here or click on the articles link. As always, any feedback is appreciated. If there is something about Live View that you’d like to know that I didn’t mention, please leave a comment.
U B U

Looking for Paul
When I got to the dunes, such a different environment, it took me a while to find me. That is, I had looked at a few pictures of the dunes on other sites and some of those images were stuck in my head. I started out with mimicry and then slowly started the transition to shooting the way that I favor shooting.
I guess that the idea was already stuck in my head from viewing those other images, which the great majority were shot horizontally and were pretty much straight shots of the dunes. Contrast this with my tendency to shoot vertically for both long and close shots and to lapse into abstract mode quite readily. It was just the opposite of the way that I normally shoot.
Lost, then found
This very reason is why I don’t view a whole lot of other landscape photography. I guess that I’m impressionable. Fortunately, I can rid myself of this mimicry in short order. It took about an hour to shake it loose and then start seeing the way that I normally see and portray. Most landscape photography that I have seen does not incorporate people into the landscape. Well, IMHO, we are there, like it or not, and I love to include ‘us’. I think that it makes the shot so much more interesting by adding known scale. Also, I am a HUGE fan of big skies.
Clouds, skies, and height fascinate me so it seems natural to shoot vertically.
Another love of mine is subtle light, which I am trying to master. Subtle light, in my opinion, is easy to capture, but sometimes difficult to portray in print or on the screen. There is no one right way to take a picture and we are all driven by our internal motivations, experiences, and personal tastes. There are those who will tell us ‘the right way’ to do things, but in the end, you have to go with your gut, or intuition. I am not opposed to new ideas about approaching a subject: High, low, left, right, abstract, literal, spending more time, thinking a bit more, etc. I’ve garnered many good ideas from the comments received in this blog. However, I don’t get swayed very easily when someone says that they would do it a different way. This doesn’t make my way wrong and I feel no compunction to change to shot to accommodate some else’s vision.
The opinion of others
During my “Better Photo: How to make money with your photography”, my instructor told me that I shouldn’t include people in my landscape photography because it would: a) confuse clients, b) make them think that I’m not serious about landscape photography. Well, everyone has their own opinion, as do I.

The final analysis
Earlier last week, Colin Jago had a great post about this entitled: Do you live in a high contrast world? It certainly is worth a read. It’s about people telling him what he needed to do to ‘improve’ his photos, even though he posted just what he wanted. Colin’s photos aren’t very contrasty, but he lives in a part of the world that, by nature, is not full of contrast. There, it’s cloudy most of the time and his images reflect this. It’s his chosen style to portray what he sees around him. I, on the other hand, live in a very sunny part of the world and therefore, love contrast. Crank it up, baby!
In the final analysis: U B U (you be you) and let others be themselves.
How low can you go?

I’m about 6 feet tall and most of my shots come from about that high off of the ground. Some of the shots, especially when I use wide angle lenses are pointed skyward, but again, from that same vantage point.
Sometimes I have to make a conscious effort to take a different perspective on things. This is akin to working the shot as I said in yesterday’s post.
While here in New Mexico, I have taken hundreds of pictures of sand dunes. I’ve approached them in several different ways both in the literal sense of portraying them as sand dunes and as abstract lines, shapes, and curves. However, I got pretty bored and wanted something different. Looking around I could see that there are several different species of desert plant eking out a living on the sand dunes so I wanted a closer look. By necessity, all of these plants are very short and low to the ground. The average yearly rainfall for Alamogordo, NM is about 11 inches, growing tall and having massive water requirements is not recommended.
I didn’t want to look down upon them, but more so on their level. This meant getting prone. It’s an amazing perspective shift. You have to not mind getting dirty and having sand in every conceivable location on your body, gear, clothing, etc.
So, here I was, for two days with my Nikon D300 and 50 mm lens just crawling around on the ground, taking pictures, and really having a great time. The only disadvantage that I ‘felt’ was occasionally, a bit of sand would blow into my eyes … a minor inconvenience.
I would have tried even higher perspectives, had there been any other than the tops of mountains.
The highest things in the park were the sand dunes.
Taking a break from the sand: Looking around
It is after all, Alamogordo, NM, made famous by White Sands National Monument. There is sand everywhere. So, for those of us who like to shoot different things, why not shoot something different, eh?

On our way to Cloudcroft, NM, we spotted a street carnival and decided to check it out later in the evening after our evening shoot at the sands. When we arrived ‘on the scene’ there were lots of people milling about, mostly kids, excited and having a great time. I wanted to see if I could capture some of that glee that I was experiencing.
For me, the carnival is about excitement and mostly about the rides. So, I wanted to show motion. I set my camera on shutter priority at 1/6 of a second. The carnival was brightly lit, so this was not a problem. As I was going for the motion look, blurring was not a problem, it was a goal.

I decided to concentrate on the kids as they are quite a bit uninhibited about their fun! I shot quite a few shots, all using the, now ubiquitous, 50mm f/1.8 on my D300. Of all of the shots that I took, only about 10% amounted to anything, the rest hit the bit-bucket, but it was an enjoyable experience, well worth it, and a great break from the sand. Icing on the cake, so to speak.
So, when you are in town, don’t forget to check out what the locals are doing. It could be fun and it won’t cost you anything … unless you want to take a ride and perhaps have some cotton candy!