Paul

 


Cuba? I know you’re out there. I can see you!!!

On Saturday, Deb and I went on a glass bottom boat tour out into the Atlantic, off the coast of Key Largo, Florida. Our destination was Molasses Reef. This was a first for me. I had never been out onto the ocean. Sure, I’ve been to the ocean, even in the ocean, but never ‘on’ it. The boat took us about 6 miles offshore, according to the captain. It was a fun ride out there because the seas were pretty calm.

As we neared the reef, I heard one lady say to her husband: Look! Over there! I can see Cuba!!! – She was serious. Not joking at all. Her husband calmly and nicely told her that that was not Cuba, but she insisted. He didn’t argue, just let it die. A smart man! :D

Time for a little math: Now, as I said, we were about 6 miles from Key Largo, FL, or some 193 miles north of Cuba. The boat was about 5 meters above the water, add, just for fun, another 2 meters for the lady’s height, although it was probably more like 1.2 meters, but we’re gonna give her the other 800 centimeters, just for giggles. So, let us say that she was 17 meters above sea level! Good? The formula for distance to the horizon is: – Where ‘h’ is the height in meters above sea level. Therefore, 4.12 is the square root … close enough. She would have been able to see about 3.57 * 4.12, or about 14.5 kilometers (9 miles) from where we stood. According to a web site that I found that calculates air mileage, it is 311 km, or 193 miles between Key Largo and Havana – south. Also, to nit pick, she was looking west, not south!

It would have been an impressive feat if she really had seen Cuba! :)

 

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Tamron 11-18mm @11mm – Nikon D700 – FX mode
I’d always wanted to do this, so I did it. :) The other day when I was at the garden, after I had finished shooting. I took my Tamron 11-18 mm lens, a DX (1.5 crop) lens and put it on my D700 and took a photo. Must to my surprise, I saw an this image, without the lines, of course. The D700 didn’t recognize that this was a DX lens and automatically switch into DX mode. A little research indicated that this switch would only happen automatically if the DX lens was a Nikon lens. 3rd party lens, not supported.
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However, this was a good experiment. When I downloaded the photo into Lightroom, it was very apparent that DX lenses produce a much smaller circle that cannot cover the full sized sensor; therefore, the DX lenses, although they do cover the same viewing angle, so to speak, as a regular, FX lens, the image circle is much smaller, so only the center portion is used.

As you can see in this photo, the edges are a bit wider than the image, but are circular. This also explains, for me, the vignetting at the edges of the frame on DX lenses as the manufacturer tries to use as much of the image circle as possible.

They say a picture is worth a thousand words. This explained a lot for me. I don’t think that I’ll be trashing my DX lenses anytime soon, especially since I still have a D300, besides, they could come in handy, especially that 11 – 18mm until such time as I get a full-frame version of it, like the Tamron 14mm!

Even though you only get 1/2 of the pixels, down from 12 to 6, the image quality is still quite good. I don’t worry about that as I got great prints from my 6 MP Nikon D40 when I owned that.

The other shot is the 11-18mm lens in DX mode on the D700. The flowers were about 6 inches from the lens, the tree just about 50 meters back.

 

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Uncomfortable Places

One thing nice about having a blog is that you have international visitors and can get a different perspective. However, you need not be outside of the U.S. to chime in. :)

You’ve heard it so many times before: You have to get out of your comfort zone to improve. What exactly does that mean? Going back to the workshop, Les mentioned that there are rings, if you will, of comfort. In the center, the comfort zone, one ring out, the learning zone, still further out, the panic zone.

He indicated that we should strive to make it into the learning zone. That is, for example, in my interpretation, if we are comfortable with landscape photography, then perhaps we should try photographing macros, or animals, or something along those same lines, but different that we already do. Perhaps it means learning more about Photoshop or Lightroom to be able to express our vision better. The panic zone, of which I have personally experienced, is something way out of the norm, say going from landscape photography to wedding photography – landing in a zone where you are not comfortable at all, nor do you like what you find there.

My question is this:

Is this an American thing? The desire to be uncomfortable once you have reach comfort – to never be satisfied – to always strive for more, bigger is better – more is more! ;) It is ever-present in our culture. We want bigger houses, more money, more prestige, an economy that grows and grows. We want the DOW Jones average to go above 10,000 (Yippee, we made it! Now let’s do 11,000, now 12,000, 13,000, etc). This all takes a toll on everyone and consumes resources at an unprecedented rate.

Many years ago, when computers were first introduced, they were to be the saving grace. We could get more done in less time and have more leisure time. Nope. Companies realized that they could squeeze more in in 8 hours, make more profit. Expand.

With photography, we are always being challenged to do more, learn more, never be satisfied with your work. Grow! Grow! Grow! I’m not disagreeing with Les, per se, because I’m usually reading and experimenting to learn more about my skill, or how to refine it so as to make it more effortless, but have little desire (anymore) to branch out into other areas other than those that I am very familiar with.

If you’re a great landscape or people photographer, for example, why take an off ramp to something else, unless you get tired and want a change?

Your take?

 

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He’s so dapper!

Here’s my guy, fresh from the groomer. I just picked him up, brought him home, let him eat, then plopped him on the bed for a photo shoot before sleep set in. Although it only took me a few minutes to get ready, he was starting to nod off by the time I got ready to shoot. I had to wake him up to get a shot! Dang!!! As I type this, of course, he is sound asleep.

I figured that I might as well get in some practice while I had the chance. Here, the flash is shooting through the umbrella at camera left, about 18 inches from Hobbs’ face, 1/8 power (SB-600). Another flash, 1/16 power, is bouncing off the back wall and providing fill on the right side. That’s it for the setup. Easy stuff. :)

As for Mr. Hobbs, he is doing fine. He had his surgery in January, was able to see out of both eyes for a while, then about the end of January, he got a detached retina. I noticed that his right eye looked like it was filled with blood. A same-day visit back to the doctor indicated that it indeed was filled with blood and that is retina had become detached and the pressure in his eye was too high, indicating secondary glaucoma. A post-surgery complication that had been mentioned as a possibility. The doctor said that there was nothing to be done about the retina and that he’d be blind in that eye, but that we’d have to get the pressure down. More eye drops.

After administering the eye drops for a couple of weeks, we went back and the doc confirmed that the pressure had dropped dramatically and that he’d probably have to stay on the drops – for life. Oh well, at least he’s not hurting. He has another appointment at the end of the month with his regular doctor to see how his insulin does is doing.

He’s in good spirits and we have returned to our walks, though not every day. He can’t handle that, but every other day works just fine for him. He’s a big hit in the neighborhood with the kids waiting for the morning school bus and their mothers and he just soaks in the lovin’ as much as I will let him! What a ham!

 

I’ve not written one of these in a while, so I thought that I’d do one today. This weekend, I attended a workshop by Les Saucier. From it, I gleaned a few nuggets, things that I had already known, but these were great reminders. There’s probably nothing new here, but I hope that some of the new photographers who pass through these virtual doors may find it helpful as they start their photographic journey.
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Craft
Photography is a craft, not unlike carpentry, for example, except that we are working with light rather than wood. In order to be a great carpenter, it takes years and years of practice. Each ‘finish’ carpenter’s work is recognizable. Not because he set out to make it so, but because he brought his own feeling, spin, life experience to the project. He made it uniquely his. He brought his spirit to it. However, it all started with endless hours of practice, just for the love it. Also, I’m sure, there were lots of competing interests, lots of distractions, but the few that made it, continued on regardless, perhaps not in a straight line, but kept on nonetheless.

However, it is important to step out of the ‘head’ and go into the heart. Art is about emotion, not just technical ability.

One Zen parable I heard about and archer was that the master told him to learn everything that he could about being an archer and when he had mastered that, forget everything! Then, he must become the arrow, the string, the bow. At school, our Grandmaster told us to learn the forms and practice, practice, practice, but eventually we had to forget about the forms and become Kung Fu. Such as it is for photography, practice so much until your camera becomes and extension of your body and you no longer have to even consider how to use that camera, what is an f/stop and a shutter speed, you’ll just be in the flow with it. Become photography, not just a ‘doer’ of photography. Get out of your head!

Vision & Courage – So what is vision? In my opinion, vision is all that you bring to the table. Your particular way of seeing things, combined with the courage to display and share those things AND to continue to follow your own particular vision. During your learning you may hear that your work is unoriginal and perhaps you should shoot this camera or that, use a square format, shoot only urban decay because beauty is not ‘true’ photography or doesn’t show truth. Bullshit! You have to be you and no one else – have the courage to say: I’ve got to be me.

On a personal level, sometimes I slip into that feeling that my work is not original, but thankfully, I come out of that soon because, my work is unique for no one on earth has that amalgam of experiences that make a shot by Paul much different than than a shot by David, or whoever. I am unique.
Comparison
You may be severely tempted to start comparing your work to that of others. Resist this. The surest way to lose appreciation for yourself, your own spirt, your own unique talents is to start looking outside and comparing yourself to others. There is nothing wrong trying to elevate your work and to even mimic the work of others that you see, but by all means, know that your work, your style, your vision will be your own. Comparison is the surest way to defeat.
Subject
I think that this is the most important thing: Find something that you like, that you can go out and photograph over and over and over again. Something that you want to explore, know more about, or just love having in front of your lens. It could be anything. the world is a wide open place with plenty to photograph.
Share
For some, this is the hardest part – put your work out there for all to see. You needn’t be out there to get the ‘good job’ comments, but perhaps you can find a mentor, someone who will help you along, give you tips and techniques to express your vision, not turn you into ‘them’, but help you to discover you.

Well, that’s about it for this ‘installment’. Nothing really new here, but hopefully a bit of encouragement.

 

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Though not technically spring, just yet, it was a very spring-like day. Most everywhere I look, trees are flowering or budding. The daily temperatures are starting the cross the 60 degree point, and sometimes 70 degrees.

This morning, I decided to head back to my favorite garden and do some photography, but first a bit of Tai Chi. Later in the afternoon, around 4:00, I met Michael, and friend of mine and new photographer and I took him to meet the Susan Harwood garden on the campus of UNCC. We spent a nice couple of hours in the garden shooting this and that. I particularly enjoyed this cactus plant. I forgot to make note of what type it was, though it really doesn’t matter.

It just reminded me of spring. Somehow, it seemed ‘happy’, glowing, and glad that spring had finally arrived.

Oh, yes! Enjoying the D700 and 105 mm macro lens!

 

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The other day I was watching a documentary called: The Incredible Human Machine. One of the things that they talked about was vision. It was interesting how the brain works. The brain doesn’t always process what it actually sees, but rather what it ‘expects’ to see. The brain, it seems, likes short cuts, especially where motion is concerned. We see individual snapshots of things, but those things move so fast, it looks like motion to our brain; however, the brain will fill in what it expects to see rather than what really happened.
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I’ve experienced this many times in my life. I remember when I bought my Toyota Camry. I had never really ‘seen’ a Phantom Grey Toyota Camry. The day that I bought mine, of course I saw a few more. Now, after having had my car for 7 years, that’s all that see. Seems like everybody has one. Of course, my brain can pick these out of the crowd, no problem.

And so it was today, I went back to the park, not expecting flowers to be available, intending to shoot the stream instead. After all, no flowers for another week, right? So, I concentrated on the stream. I was having a good time, the sun was getting lower in the sky and making nice stripes across the ground. As I walked along the trail, I thought that I’d have a look to see if I could see any wildflowers. Wait? What’s that in that shaft of sunlight? A wildflower. And *poof*, just like that … just like when I bought the Camry. Wildflowers appeared everywhere. This side of the trail, that side of the trail. All over the place!

I smiled, lowered my tripod, and set about shooting. There was plenty to shoot, but only one type of flower that I saw, but they were abundant! I’m glad that I had another look and that I know that my mind is not above playing tricks on me!

Finally, I thought that I’d steal a page from the book of Andreas and include a song: My mind is playing tricks on me – Ghetto Boys

© 2011 Paul Lester Photo Suffusion theme by Sayontan Sinha

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