OK, so I did a practice book (992 KB PDF). I thought: Why not? I need to get in touch with Scribus again and learn more about it this year. For this ‘book’, I did no post processing of the images, save for a small amount of color correction. For the real thing, I’ll have to do the color corrections, sharpening, and whatever other post processing that I’ll need to do. I’ve also not decided on color or black and white. It will depend on the final subject. For now, it’s about learning about the tool. I want to establish a workflow for the real thing. Here’s what I took away from this learning experience:


Format:
I still want to decide on a format. I shot a lot of vertical photos, but sometimes horizontal fits. It seems natural that a square book works best if I want to do both; however, I did my practice book in the vertical format just to see what it would look like.

Font
Last year I used Adobe Garamond Pro as my font of choice. I think that I’ll use it again. It is a very clean, easy to read font. It’s nothing fancy, but looks very professional.

Alignment
I need to learn how to align things in Scribus. That is, to make sure that text areas are aligned and that images are aligned, at least as much as I want them to be.

Convenience
Scribus encourages you to use separate text files and then import the text. This became very easy to do as I could write, rewrite, spell check, tag, and then import into Scribus. After I had decided my styles, such as header, footer, basic text, quote text, etc. all that I had to do was tag the first sentence of a paragraph with a tag that I decided, like \q to indicate a quotation, then import that text into my text frame and Scribus would apply the styles. Very easy. This is much more advanced than what I used last year.

Stability
The Mac version has not crashed on my yet! Last year the Windoze version crashed a bit more. The Mac layout, while basically the same, seems a little more user friendly, but Scribus does take some getting used to, but it is $699 less than Adobe Indesign. I guess that you could get a 30 day free trial and try to use it while doing your book, but no thanks! I need to know the software ahead of time. Trying to do both at the same time, like I did last year is a headache.

Deadlines
I need them! That’s why I gave myself until April 4th to finish this. I almost didn’t do it, but felt obligated to myself to do it.

Geekware
Lastly, another person, Billie, talks about her experience trying to learn Scribus. Basically, she said that she was not geeky enough to learn it and that attempting to learn it made it feel like her head was going to explode! :-) It’s not as bad as all that, but it does have a learning curve that you’ll have to climb. Better to start early!

This practice book was a great bit of learning and a nice distraction for the evening. The real deal starts for me in 27 days. I still have no real idea about what I’m going to do! :-)

 


Singing in the rain
First, let me start with a disclaimer. I’m not advocating that you use your camera the way that I use mine. You have to do you and let me do me. :-) Now, on with the show:

When I had my Nikon D2x, since it was Nikon’s flagship camera at the time, I used to take it out into the rain, and, snow, humidity, whatever. I figured that if they said that it was sealed against the weather, then it dang will better be, and it was! It was a great camera. Unfailing. Well, the D300 comes from good lineage! Nikon says of the D300:

Rugged magnesium-alloy construction: Along with advanced dust and moisture protection and a durable shutter mechanism: The D300 has been tested to 150,000 cycles making it the perfect choice for photographers who demand high performance and agility.


Hmmm: Advanced dust and moisture protection. Well, that sounds like a challenge to me. I’ve seen a few places where people talk about the weather proofing of the D300, but didn’t see where anyone had actually tried it. I saw on Luminous Landscape where Michael Reichmann talked about his experience on his Antarctic trip and how well the Nikon cameras did as a group in some tough conditions, but never had I seen any direct experience.

Three of the last four weekends, it has rained in Charlotte and I took advantage of every one of them. When I say rained, I mean it rained! The type of rain that would have you soaked in less than a minute or two. Unrelenting rain. Downpour! Perfect. I simply put on my boots, went out, found a place to take pictures, and let Nature have its way with me and my camera. I was not concerned about the camera, but was a little concerned about the lens. Both came through the ordeals just fine.

It was quite comical, to me at least, to see people cruising by in their cars, slowing down to see what moron was out shooting in heavy rain. Well, that moron was me. I was happily shooting away. Water was running over and off of my camera in small streams, down my forehead, around and through my eyes. I kept the sunshade on the lens and the camera pointed downward so as not to have to dry the lens … that would have been kind of tough anyway because there was barely a strip of dry cloth on me anywhere. I was soaked. Next time, I could use a rain poncho for myself! :-) However, I’m pretty waterproof.

Anyway, it was a fun time in the rain. The temperature was about 70 degrees (21 degrees C for my Metric friends) and the rain was nice and warm. So, three times in a row, the D300 proved itself under less than ideal conditions … as did the Tamron 18-270mm! Well done, guys!

No. I do not use any type of cover over the camera. I guess that you could say that I trust Nikon’s statement! So far, no leaks and no dust on the sensor in a whole year! Not a speck of dust that I can see! I had thought of doing something about shooting in the rain for SoFoBoMo, but I cannot trust that it will rain a lot in may or June! :-)

 

Last year, my approach to SoFoBoMo was rather haphazard. I chose my theme at the last minute, then I went and did my shooting, learned the tool (Scribus) while putting the book together, and just meandered about until I had a finished product. Certainly, this methodology, if you could call it that, has some serious drawbacks.

This year’s project will be different. Last year, I didn’t even read the instructions on how to use Scribus. This made my work even more difficult. Desktop publishing software is so much different than a word processor. There are terms to learn and understand. What the heck is a Drop Cap? How can I get those big initial capital letters in my text like I see in the books? Oh! Those are Drop Caps?!!! Who knew?! :-)

There is a completely different way of doing things. This year, I’ve already started reading the instructions, following online tutorials, and have started a practice book, tentatively entitled: In praise of spring. This practice book will illustrate the joys of shooting in the rain. I’ve taken to it, as they say, like a duck takes to water! I hope to finish it in the coming days. No. Make that I will finish by Sunday, April 5th! Gotta have a hard deadline to work towards!

In doing the upfront work, in other words, understanding my tool and how a publishing work flow works, I am learning how to make a production ready book. Last year, I used fairly low resolution JPEG images. This year, I’ll use 300 DPI TIFF images, just in case I really want to have the book printed. Last year, I didn’t choose my fonts and styles ahead of time. This year I will. Last year, as mentioned, I meandered about as I put the book together. This year, I will sketch the story / layout first, take the pictures, write/spell check/proof read the text, then I will use the tool to assemble all of them. Scribus, by design, encourages you to use text files and import your already marked-up, proofed text into the editor. There is no spell checking or grammar checking built in. It’s built, I think, to allow different parties to do different things, such as photography, graphics, writing text, doing layout, and then having someone assemble all of those pieces into a finished product. It helps to understand that.

By doing a lot of upfront work with fonts and styles, etc. It should shave a lot of time off of the finished product. Also, by having a road map, knowing where I’m going, it will help to avoid those dead-ends that I encountered at times.

I’m still collecting ideas for a theme and soon I’ll have to decide.

 

I’m trying not to blog too much in advance of SoFoBoMo ’09; however, Paul B. had this post asking for those of us who did it last year to share our experience. Here’s what I think would make it easier for you first timers who would like to make a nice looking book AND don’t want to be driven crazy at the last minute:

  • Have a few ideas ready of a subject that will sustain you for the 30 days; probably half of which you will be photographing. The other half will be spent in assembly and writing.
  • Find the publishing software that you are going to use and learn it. I used open source software called Scribus. There is both a Mac and Windows version. This part is very important. You don’t want to be fighting the software while you are trying to assemble your book.
  • Get a good book on book layout and design and READ it. I really recommend Pete Masterson’s book: Book Design and Production
  • Make a practice book. Something easy. Something that you can do in a weekend. Nothing fancy. This will get you used to the software, placement, flow, etc.
  • Go to the library or bookstore and find photo books that appeal to you. These will give you good ideas about potential layouts.
  • Make sure that what you wish to photograph is easy to get to. This way you can visit it repeatedly in different light, weather, times of day, etc., giving you the full spectrum of moods, feelings, etc for your chosen subject.

Which reminds me, I need to do another practice book and review the Masterson book because I have forgotten many things about the software and the book!

If you did it last year and don’t want to right a post about it, please feel free to add your suggestions here.

 


One of the books that I’ve not finished reading is Twyla Tharp’s: The Creative Habit. Learn it and use it for life. I’m nearly half way through and find it interesting reading. Throughout the books she has small sections called Exercises. These are creativity exercises that you can do for yourself. Some have to do with memory, movement, observation, etc. There are a few that I would like to try for myself, one in particular tickles my fancy. Actually, two of them do, but I don’t think that I’ll write about the second one until after I do it.

Sometimes an idea will present itself. This idea may occur at any time and is often fleeting. It may be as light as gossamer, other times the proverbial, A ha!, anvil to the head moment. No matter the type, they seem to be ephemeral, having a definite shelf life. With regards to this year’s SoFoBoMo and last, I’ve had many, many ideas pass though, tossed across the paths of my mind like so much tumbleweed rolling across the Texas prairies. I need a fence to catch them, lest they blow away.

While reading her book, Twlya mentions her box, or boxes that she keeps her ideas in. When she is about to start a project, she creates a box with the name of the project written in magic marker right on the front of the box. Whenever she has an idea, or sees something inspirational with regards to that project, she puts it into the box. It could be a scrap of paper that she has written an idea upon, a music CD, video tape, photograph, child’s toy, whatever. It can be a reminder to: “Keep it simple and meaningful”. Later, when she is about to start putting her project together, she comes back to the box and starts digging through. These items serve as reminders of the ideas for the project. Mind you, this box could be a regular cardboard box, like she uses, or a collection of items stored on the computer including links to websites, photos, etc. that may have, for some reason, inspired you.

So, I’ve started my own box and it has a few things in it already.

  • “Keep it simple”
  • “Make it matter to you”
  • “Portraits! People!
  • Observations
  • Haiku
  • A picture of “Amy” from Joe McNally’s blog. I love the simple lighting.
  • Young/Old? Dogs – inspired by this book.

Right now, these are disjointed pieces, seemingly, but they are what has popped up and been written down. It’ll be interesting to see how much stuff is in the box by about mid April when I try to gel those thoughts into something that I can produce.

© 2011 Paul Lester Photo Suffusion theme by Sayontan Sinha

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